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Figures
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp vii-vii
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Bibliography
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- Whose Country Music?
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- 01 December 2022, pp 264-295
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Contents
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- Whose Country Music?
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Part I - Industry
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 11-70
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Whose Country Music?
- Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture
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“She went to Nashville to sing country music”
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- Whose Country Music?
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Copyright page
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- Whose Country Music?
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Part III - Authenticity
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- Whose Country Music?
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- 01 December 2022, pp 131-190
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10 - “When Britney [Spears] Ruled the World”
- from Part III - Authenticity
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- Whose Country Music?
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- 01 December 2022, pp 148-161
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Tables
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- Whose Country Music?
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Part II - Codes of Conduct
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- Whose Country Music?
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Index
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- 01 December 2022, pp 296-308
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Contributors
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- Whose Country Music?
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Part IV - Boundary Work
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- Whose Country Music?
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- 01 December 2022, pp 191-263
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Sing Me Back Home: Southern Roots and Country Music. By Bill C. Malone. Norman: University of Oklahoma Press, 2017.
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- Journal of the Society for American Music / Volume 13 / Issue 3 / August 2019
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- 15 August 2019, pp. 387-390
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- August 2019
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Hawaiian Music in Motion: Mariners, Missionaries, and Minstrels. By James Revell Carr . Urbana: University of Illinois Press, 2014.
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- Journal of the Society for American Music / Volume 11 / Issue 1 / February 2017
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- 16 January 2017, pp. 107-110
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- February 2017
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Contributors
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- The Cambridge Dictionary of Christianity
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- 05 August 2012
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- 20 September 2010, pp xi-xliv
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Looking Backward, Looking Forward: MLA Members Speak
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- PMLA / Publications of the Modern Language Association of America / Volume 115 / Issue 7 / December 2000
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- 23 October 2020, pp. 1986-2078
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- December 2000
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